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#1 Private opera russian mamontov artists savva

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Private opera russian mamontov artists savva

Receive email notifications on new books and special sales. Drawing on a wealth of unpublished primary sources and evidence from Hong kong vintage and theater history, Olga Haldey paints a fascinating portrait of a railway tycoon turned artiste and his pioneering opera company. Drawing on a wealth of unpublished primary sources and history, this text paints a fascinating portrait of Mamontov's pioneering opera company. It should attract the interest of musicologists, Private opera russian mamontov artists savva art and theater historians, as well as social and cultural historians interested in the development of artistic modernism in late imperial Russia. The Silver Age and the Legacy of the s 2. Serving the Beautiful 3. Echoes of Abramtsevo 4. Opera as Drama 6. From Meiningen to Meyerhold 7. Politics, Repertory, and the Market 8. Faces of the Enterprise. Privacy Notice Accessibility Help. Skip to services Private opera russian mamontov artists savva. Search by title, author, keyword or ISBN. Customer Reviews Comments There are currently no reviews Write a savvva on this title. Faces of the Enterprise Sagva A. Affiliate Program Join our affiliate program and earn commissions by linking to our titles on your site! Bloomington, IN iuporder indiana. Join our email list. Russian Music Studies Distribution: Musical Cultures in Seventeenth-Century Russia.

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One of nine children, Mamontov was the son of successful merchant Ivan Fyodorovich Mamontov. The family moved to Moscow when Savva was eight years old. He received the highest-quality education from private tutors, and in , at age 14, he attended the Institute of Civil Engineer Corps in St. His enthusiasm for that art form was such that he attended many performances and even began taking singing lessons during his stay in Italy. He continued to juggle his business pursuits with his patronage and interest in the arts, regularly hosting artists and musicians at his extravagant home. In Mamontov and his wife purchased Abramtsevo —an estate located about 30 miles 50 km from Moscow—from the family of novelist Sergey Aksakov. The artists who lived and worked at Abramtsevo at this time were called the Mamontov Circle. Mamontov himself served as the artistic director for those performances. The Mamontov Circle also established woodworking and pottery workshops, all of which was funded by the Mamontovs. Meanwhile, Mamontov was also heavily invested in his railway pursuits and funded the construction of the Moscow-Yaroslavl- Archangel railroad completed about , then the longest railroad in Russia, and in cofounded the Mytishchi Rail Car Construction Plant, the largest such enterprise in the country in operation into the 21st century. However, his success in business came to an unfortunate end when he was accused of embezzling funds from one of his railroad ventures. He was imprisoned in and brought to trial. Though his friends and family came to his defense, and he was released and acquitted of the crime in , his reputation was demolished. We welcome suggested improvements to any of our articles. You can make it easier for us to review and, hopefully, publish your contribution by keeping a few points in mind. Your contribution...

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Mamontov Savva Ivanovich, born in , was a big entrepreneur but considered theatre arts his true vocation. He collected paintings by Russian artists and was known as a patron of art. His estate Abramtsevo located under Moscow became a unique place where workshops of painting, wood engraving, pottery and sculpture were organized. The artists loved that place; they used to live there for months, sometimes with their families. A great number of world-known masterpieces were brought into life here in Abramtsevo, a revival hearth for the best traditions of the national culture. Apart from patronage extended to artists Mamontov turned out to be a true reformer of theatrical business: The second stage was the period of efflorescence, since Mamontov staked on Russian opera artists and conducted an intensive search for gifted young singers. In autumn of F. Shalyapin came to the private opera house, and the same period next year S. It was Mamontov who supported Shalyapin and recognized him as an opera artist. After long searches Savva Ivanovitch managed to organize a strong opera group, which rose up numerous singers, who later successfully performed and were welcome at many theatres of the capital. Unfortunately, the second stage of the opera existence ended tragically: In autumn of the same year Mamontov was arrested on a charge of illegal use of the capitals of the joint stock railway company. In the last period the theatre was renamed into the Russian private opera association and gradually faded. Savva Ivanovich spent about six months in prison; this horrible time served him bad as he fell ill. The rest of his life, almost twenty years, Savva Ivanovich spent in Moscow in a small house. Later the investigation and the court found Savva Ivanivitch innocent, but the lawsuit ruined Mamontov. He died in Moscow on...

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Previous day Next day. Savva Mamontov was the founder and builder of the largest railway in Russia. He also laid the foundation of the largest wagon-building factory in suburban Mytishchi, just outside Moscow. Almost half the railroads of the European part of Russia are the result of his strivings. The scope of his business is impressive. Mamontov had interests in the iron ore extraction and the iron casting industries. By the time Savva was born, he was involved in revenue farming. This was a system of tax collection, in which the government, for a certain price, readdressed the right to collect the aforementioned taxes to private individuals, so-called tax farmers. Thus, Ivan Mamontov collected taxes from wine makers. He had a large family: Savva Mamontov was born in the town of Yalutorovsk, in western Siberia. Eight years later the Mamontov family moved to Moscow. The head of the family rented a luxurious mansion in the heart of Moscow. The Mamontovs began to throw receptions, with a great many influential people among the guests. At first, the wealthy farmer of revenues was viewed by many as a man with a suspicious and black look of jealous animosity. However, overtime, he won himself a place of honor in Moscow mercantile circles. The style of the Mamontov children's upbringing changed radically in Moscow. In Siberia, the young had been entrusted to the care of well-meaning yet illiterate nannies; in Moscow the best tutors taught the young Mamontovs European manners and foreign languages. Savva Mamontov received an elementary education. Later, in , together with his cousins Viktor and Valerian, he was sent to study in St. This decision was not accidental. At that particular time the two brothers, Ivan and Nikolay Mamontov, decided to set up an oil trading company. For this, they needed...

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In order to set up a list of libraries that you have access to, you must first login or sign up. Then set up a personal list of libraries from your profile page by clicking on your user name at the top right of any screen. The National Library may be able to supply you with a photocopy or electronic copy of all or part of this item, for a fee, depending on copyright restrictions. Separate different tags with a comma. To include a comma in your tag, surround the tag with double quotes. Skip to content Skip to search. Home This edition , English, Microform, Thesis edition: Savva Mamontov and the Moscow Private Opera: From realism to modernism on the Russian operatic stage [microform]. From realism to modernism on the Russian operatic stage. Medium [microform] Physical Description p. Summary This dissertation examines the artistic activities and the historical significance of the Moscow Private Opera--a private enterprise that operated in Moscow, Russia, at the turn of the twentieth century. The company appeared at a pivotal moment in the country's cultural history, when the dominant realist ideology faced challenge from the new modernist aesthetics of the Silver Age. The Moscow Private Opera found itself at the heart of this aesthetic shift, becoming a point of transition from realism to modernism on the Russian operatic stage. The creator and artistic director of the enterprise, Savva Mamontov, has been previously either dismissed by researchers as a negligible figure in the history of music and the arts, or described in the literature as a man of the s, a defender of realism and nationalism. However, the unpublished archival materials on which this dissertation is based reveal his views to parallel those of the Russian decadent movement, and the transitional nature of the decadent aesthetics...

Private opera russian mamontov artists savva

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Mamontov is best known for supporting a revival of traditional Russian arts at an artists' colony and founder and creative director of the Moscow Private Opera. The Moscow Private Opera, founded, sponsored, and directed by Savva Mamontov (), was one of Russia's most important theatrical Drawing on a wealth of unpublished primary sources and evidence from art and theater history. Savva Mamontov was the founder and builder of the largest railway in Russia. first, at his own home, and later at the Moscow Private Opera, which he founded. His artistic efforts culminated in the opening of the Russian Opera Theater.

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